Updated April 05, 2019 by Daniel Imperiale

The 10 Best DJ Digital Media Players

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Best High-End
Best Mid-Range
Best Inexpensive

This wiki has been updated 19 times since it was first published in September of 2016. Performing as a DJ used to mean carting around heavy boxes filled with your precious vinyl. What's worse is that the more you played the best tracks, the greater the risk of damage and wear to the discs. But in today's world, you can use one of these DJ digital media players to interface with electronic versions of your favorite music, keeping the tracks – and your back – free from harm. When users buy our independently chosen editorial selections, we may earn commissions to help fund the Wiki. Skip to the best dj digital media player on Amazon.

10. Gemini GMX Series

9. Numark NDX500

8. Reloop Mixon 4 High Performance

7. Pioneer XDJ1000MK2

6. Denon Standalone MCX8000

5. American Audio VMS5

4. Gemini MDJ-1000 Professional

3. Denon SC5000 Prime

2. Pioneer Pro XDJ-700

1. Pioneer Pro XDJ-RX2

Editor's Notes

April 03, 2019:

Pioneer has retained its spot at the top of our list, but it's done so with a brand new model, replacing their old RX with the RX2. Honestly, there were enough good things about the old model that it likely would have stayed at least in the top three without an upgrade, but the addition of touch sensitivity to the device's big display screen really takes the entire interface a step further. One unit that might have benefited from some kind of upgrade is the Reloop Mixon 4, which still relies heavily on a computer or tablet in ways that the better Pioneer models have left behind. It rather justifiably took a dip in the standings as a result. Falling out of our ranking entirely was the American Audio Encore 2000, which had just gotten too old at nearly a decade to be considered viable among the great options on the market today.

The Turntables Of The 21st Century

You also won’t have to worry about drunken dancers ambling up to your booth to make a request, only to spill their sugary cocktail all over your most prized records.

If you developed your skills as a DJ on a traditional set of turntables, there’s a good chance that you’re hesitant about transitioning to a digital control interface. This is doubly true considering the fact that some of your most important tracks might live on records that you don’t have a digital copy of, making their use on a digital platform seem impossible. To that point, I’d argue that your DJ turntables probably have a pretty reliable USB output, which would allow you to back up any song you already own on vinyl.

It might take some time to develop that digital library, but once you do, you’ll never have to worry about a beloved song playing to the point of a reduction if its fidelity. You also won’t have to worry about drunken dancers ambling up to your booth to make a request, only to spill their sugary cocktail all over your most prized records. And you definitely won’t have to worry about theft, which is all too common on the circuit.

In short, a digital DJ controller give you the freedom to move from gig to gig without lugging around all that expensive vinyl or worrying about its well-being. That will save you both time and energy, and give you peace of mind.

But what about the purity of the craft?

Well, technological progress is a tide that only ever rises, and holdouts are liable to drown. That doesn’t mean you have to abandon your vinyl collection altogether, but maybe you can save it for truly special occasions — that is, if you even want to go back to it after you get a feel for the digital alternative.

The Most Important Features Of A Digital Controller

When you set out to purchase a DJ digital media player, there are a whole host of features that could make one model vastly superior in your hands than another, which model, in another’s hands, might be the perfect fit. A lot of this has to do with the kind of records you spin and the amount of manipulation you like to apply.

The biggest dividing line among controllers is probably the number of control wheels. These are what will essentially replace your actual turntables, and they’re what you use to control the placement of a song on either side of the deck. The models on the market will either have one or two wheels.

The biggest benefits of a unit with only one wheel are size and price.

While mixing with one wheel might seem relatively impossible, the digital ability to assign that wheel to a number of songs simultaneously makes live mixing a pretty simple reality. It is still a little more difficulty to execute than with a pair of wheels, however, which could lead to flubs in your transitions as you get used to it. The biggest benefits of a unit with only one wheel are size and price. If portability is your primary concern and the main reason you’re downsizing all that vinyl, you might be interested in getting as small a controller as possible.

Units with two wheels will function in a very familiar fashion as traditional turntables, with a slider that controls the volume between either side and a comfortable ability to place and launch your tracks for perfectly timed transitions. These are a bit bigger and heavier, though, and they’re usually more expensive.

Another important feature to pay attention to is whether or not the unit you have your eye on requires the use of an outboard computer, tablet, or smartphone. Some models on the market are fully functional, standalone units that can hold all the music files you’ll need for a night of work and that allow you to control everything from a built-in screen. Ideally, you want this screen to be as big and responsive as possible. Some units will utilize a series of buttons and one or both turntables as controllers for menus on the screen, but the best units boast touchscreen capabilities.

That shouldn’t discount models that utilize computers or tablets, however. As long as the connection standard remains the same, a unit that relies on additional outboard hardware will theoretically be able to evolve along with other technology, whether that’s the hardware itself or the software you’re running on it. The obvious downside to these, however, is that the increased number of tools reduces your setup’s portability, and if something goes wrong with that tablet (like a forgotten charger, for example), you’ll be unable to perform.

Other Nuanced Features To Explore

After considering some of the more obvious features, there are numerous more nuanced aspects of a given DJ media controller that can really make one unit shine over another. Most of this will comes down to your personal performing style.

The latter style is clearly preferable if you’re working with a monitor, as few will fit in narrow slots designed to hold tablets.

If you’re a performer who likes to create their own beats and add copious effects and other little morsels to the music you play, you’ll want a unit with a fair number drum pads. Often called hot cues — named for one of their more common uses — these buttons allow you to assign a whole host of functions to them. You can use them to trigger specific sounds that can help cover a muddled transition or augment a hot moment of a certain track, and you can use them to program beats to lay over the music you have playing, just to name a couple of options. The best of these are velocity-sensitive, so if the sound you assign them is responsive to that kind of hit, it will vary in its volume and timbre depending on how hard you strike the pad, giving you more expressiveness as an artist.

In case the model you like relies on outboard hardware, you’ll want to know whether it’s equipped to mount a tablet or computer screen to its body. Some units come with slots that will hold your tablet firmly in place, while others employ chassis that connects to a small piece of hardware you can affix to your tablet or monitor. The latter style is clearly preferable if you’re working with a monitor, as few will fit in narrow slots designed to hold tablets.

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Daniel Imperiale
Last updated on April 05, 2019 by Daniel Imperiale

Daniel Imperiale holds a bachelor’s degree in writing, and proudly fled his graduate program in poetry to pursue a quiet life at a remote Alaskan fishery. After returning to the contiguous states, he took up a position as an editor and photographer of the prestigious geek culture magazine “Unwinnable” before turning his attention to the field of health and wellness. In recent years, he has worked extensively in film and music production, making him something of a know-it-all when it comes to camera equipment, musical instruments, recording devices, and other audio-visual hardware. Daniel’s recent obsessions include horology (making him a pro when it comes to all things timekeeping) and Uranium mining and enrichment (which hasn’t proven useful just yet).

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