10 Best Audiophile Headphones | May 2017
- earcups swivel 90 degrees
- 45 mm large aperture drivers
- mediocre sound isolation
|Rating||4.4 / 5.0|
- metal-mesh earpiece coverings
- kevlar-reinforced cable
- can feel tight on some heads
|Rating||4.1 / 5.0|
- weigh barely more than 10 ounces
- 3-foot cable included
- earcups aren't the most comfortable
|Rating||4.1 / 5.0|
- storage case included
- 30-minute quick charge
- exclusive steelflex headband
|Rating||4.7 / 5.0|
- 600 ohm impedance
- 5-year warranty
- copper conductors
|Rating||4.3 / 5.0|
- very good with quieter pieces
- balanced bi-channel cable
- mids break in nicely
|Rating||4.6 / 5.0|
- balanced 4-pin xlr plug
- flat circum-aural design
- produce a natural sound
|Model||HD 800 S|
|Rating||4.8 / 5.0|
- channel-separated balanced cable
- carbon fiber yoke
- lambskin leather ear cushions
|Rating||5.0 / 5.0|
Inside Audiophile Headphones
When you begin to look closely at the components that come together to form most audiophile headphones, you see that there aren't a whole lot of variables to adjust from brand to brand.
A signal is converted from its digital state by a dense magnetized coil of copper wire that vibrates a membrane, usually made of plastics, or fabrics, or a combination of the two, and that sound hits you in the ear along with the resonance of the ear cup itself. Pretty simple stuff.
What is it, then, that can make one pair of cans so much more expensive, or sound so much better, than another? At times, it can feel like distinguishing between two other cans: Pepsi and Coke. Sure they're different, but they're both just carbonated, flavored sugar water. Is either really better than the other (yes, one is better, and it's called Royal Crown)?
Well, since the primary point of signal conversion is that magnetized coil of wire, the quality of that magnetic field is about as vital as that of any other component.
Many nicer headphones will use neodymium magnets, which are touted as the strongest permanent magnet available on the market, though it's important to note that even these have their own grades to them.
Once it's all put together, things like the diameter of the main speaker, and the size and shape of the ear cup will all play a role in tonal quality and bass response. Generally speaking, the smaller these two things, the less likely you're going to get a deep bass.
To Tweak Or Not To Tweak
I hope your taste in music is eclectic. I really do. What we listen to says a lot about who we are, and the more musical styles we expose ourselves to with an open mind, the more we'll find to like. This will do nothing but make you a more interesting, well-rounded person. I believe it's inevitable.
Eclectic musical tastes will also likely make you better versed in the equalizer settings in your car, on your phone and your computer. That Carter Family track is going to sound pretty strange if your EQ is set up to maximize your dubstep experience.
Each style of music thrives at its own equalization, and knowing what your new set of headphones is designed to play will tell you how you ought to tweak your EQ, for the best sound on your favorite tracks. You might find that a set with deeper bass is stifling the vital mid tones in your favorite classical pieces, so you can lower some of the bottom frequencies or boost the mids and highs as you see fit.
This is the case with a tremendous amount of headphones produced for audiophiles in the past decade. The advent of Beats by Dr. Dre has a lot to do with this trend, as those headphones came along and told the marketplace that it needed as much bass as humanly possible, whether it knew it or not.
It's taken a while for manufacturers to fight back against the empire of the lower case 'b', but companies like AKG and V-Moda are daring to reduce their bass output in favor of a clearer, more balanced sound.
If you only really listen to modern pop music, hip hop, and R&B, you might want to start out by sacrificing those mids for a booming bass and clear vocals. Most all other styles though will work best with something a little less artificially bass driven.
Communing In Private: On Headphones and Isolation
I was on a road trip once with my childhood best friend and his family, some time around the fifth grade. We each had the same CD in our respective Discman players. We got the discs spinning on track one at the 0:00 mark, and simultaneously pressed play so that we could listen together without bothering with the music on the car radio. It was a great bonding experience to be a separated individual in sync with your friend right next to you.
That's because music is a communal art. We come together to make it and appreciate it. Of course, our tastes vary so wildly in today's endless musical expanse that it's increasingly difficult to share music without the fear of offending another, or embarrassing ourselves by openly displaying anything we like.
Now, headphones are neither the cause of our increasing social anxiety and alienation, nor are they necessarily an antidote for it.
When they first came around, headphones were a military device. Later, they entered the private sector through telephone and radio operations, but they didn't truly become a staple in our way of life until the advent of the Walkman in the late 1970s.
Now they're as ubiquitous as denim jeans, and the right pair can set you apart from the crowd in wondrous ways while you peacefully appreciate the finest nuances of your favorite music. Just don't forget to let someone else in the bubble every once in a while.