10 Best Tripods | December 2016

10 Best Tripods
Best Mid-Range
★★★★
Best High-End
★★★★★
Best Inexpensive
★★★
We spent 33 hours on research, videography, and editing, to review the top options for this wiki. They say two heads are better than one, and three legs are definitely better than two. Our selection of tripods contains some of the finest camera hardware on the market, rated here by durability, versatility, and portability. Pay close attention to the package contents as you peruse the selection, though, as some tripods ship without a head, and one head is better than none. When users buy our independently chosen editorial picks, we may earn commissions to support our work. Skip to the best tripod on Amazon.
10
If you need a heavy tripod to secure your camera in hazardous environments without the help of a sandbag or other counterweight, the SLIK PRO 700DX, weighing in at 11 lbs., will do the job. Its rugged AMT alloy construction will keep it operational for years.
  • pan and tilt head included
  • metal mounting hardware
  • not ideal for casual travel
Brand Slik
Model 615-315
Weight 10 pounds
Rating 4.0 / 5.0
9
The MeFOTO A1350Q1K features a graduated panning scale for accurate image alignment. Its legs collapse the unit down to a compact 15.4 inches, yet it can extend to an impressive height of 61.6 inches, and it comes in a plethora of playful colors.
  • tool-free monopod conversion
  • weather and dust resistant
  • allen key required for camera mount
Brand Mefoto
Model 3324789
Weight 5 pounds
Rating 3.7 / 5.0
8
The included ball head on the Benro Travel Angel 1 Series has an independent pan lock, offering more precision when you need to reset a shot quickly and you've already got the level set. You can remove a leg and connect it to the center column to create a monopod.
  • supports nearly 18 lbs
  • arca-swiss style plate
  • short maximum height
Brand Benro
Model FTA18AB0
Weight 6.6 pounds
Rating 4.2 / 5.0
7
The Grand Induro CLT303 PHQ3 is backed by a five-year warranty, the length of which doubles when you register your purchase with the company, extending your coverage to a full ten years. A toolkit, wrench, and carrying case come standard.
  • machined aluminum top plate
  • oversized weight hook
  • carbon fiber legs scratch easily
Brand Induro
Model CLT303PHQ3
Weight 8.6 pounds
Rating 3.7 / 5.0
6
If tab locks make you nervous about the security of your setup, the Manfrotto MT190 CXPro 4 utilizes a more thorough quick power lock system to completely halt movement in the legs. Its new angle selectors make increasing the width of your footprint a breeze.
  • easy link plug for accessories
  • column can rotate horizontally
  • not available as a kit
Brand Manfrotto
Model MT190CXPRO4
Weight 4.4 pounds
Rating 4.4 / 5.0
5
The biggest draw for the Benro Mach3 Series Carbon Fiber is its weight capacity. The unit can hold gear weighing up to 30.9 lbs., making it an ideal base for sports photographers with large lenses or for movie makers with heavy rigs.
  • three-section legs
  • interchangeable feet
  • monopod foam is poorly placed
Brand Benro
Model TMA27C
Weight 6.4 pounds
Rating 4.4 / 5.0
4
For finely-tuned height adjustments, the Vanguard Auctus Plus 283CT offers a mobile central column, the position of which you determine through the unit's ESHP wheel system. The gears are strong enough to support your gear or to lift up heavy counterweights on its hook.
  • wide stabilizing rubber feet
  • designed to seal out dust
  • weighs almost 8 lbs
Brand Vanguard
Model AUCTUS PLUS 283CT
Weight 10.2 pounds
Rating 4.3 / 5.0
3
The Manfrotto MVH502A is the standard bearer among professional videographers and cinematographers who like to keep their gear kits light and effective. Its included fluid pan head was originally designed for birding, but it can just as easily create a fine cinematic shot.
  • supports nearly 16 lbs of equipment
  • 4kg preset counterbalance
  • mid-level spreaders
Brand Manfrotto
Model MVH502A,546BK-1
Weight 15.8 pounds
Rating 4.7 / 5.0
2
The Vanguard Alta Pro 263AB is an extremely adaptable, highly adjustable tripod, complete with a rotating head and a central column that also turns a full 180 degrees. Simply put, anywhere you want to aim a lens, this tripod can aim it.
  • great for low angle photography
  • rubber feet with retractable spikes
  • magnesium die-cast canopy
Brand Vanguard
Model Alta Pro 263AB 100
Weight 7 pounds
Rating 4.5 / 5.0
1
With its five twist-lock extendable sections and its incredibly lightweight carbon fiber design, the Gitzo Series 1 Traveler can collapse to a fraction of its full size for easier transportation. When stretched to its max, it reaches a height of 58.5 inches.
  • weighs just over 3 lbs
  • secure g-lock technology
  • head fits between the legs
Brand Gitzo
Model GK1555T-82TQD
Weight 3.7 pounds
Rating 4.8 / 5.0

Buyer's Guide

Steady As She Goes

There are only two types of photographers that don't need tripods: street photographers and war correspondents. Both of those genres tend to gain a little extra impact when there's a reminder of the photographer in the image, a sense that the camera was there in the hands of a real human being whose interaction with his or her subject was a thing of beautiful chance or of terrible danger.

For everyone else–landscape and nature photographers, portrait artists, headshot photographers, and the rest–tripods are an absolute necessity. The required sharpness of our images depends on them. For the record, I consider wedding photographers to be a kind of war correspondent.

Among all the momentary variables you can't control in the sharpness of your images–the movement of your subjects, the quality of your lenses, etc.–the steadiness of your camera is the one thing over which you ought to exert your will, for it is that steadiness that will translate to uncanny sharpness.

A good tripod relies on the simple mathematical fact that a triangle is the steadiest geometric formation. A mass evenly distributed onto three legs will vibrate less than any other configuration of supports, even at significant heights.

To reach those heights, tripods will use two to four leg sections in decreasing diameter, all layered into one another like cylindrical Russian nesting dolls. You release the sections by way of a locking tab or screw mechanism that you then re-tighten to keep a whatever height you select consistent.

Once in position, your camera attaches to the tripod by way of a small screw that is standardized across the industry. Often, this screw lives on something called a quick-release plate, which allows you to take the camera off your tripod head and reattach it again without having to do all that pesky screwing.

Those tripod heads differ from model to model, as well, and each has its specific benefit depending on your intended use, which will help you determine which tripod is right for you.

It's All In Your Head

It's important to evaluate your tripod options based on what you actually want to shoot with a camera mounted on it. Depending largely on your subject and your shooting environment, your choice of tripod could vary significantly.

The head that comes with each of the tripods on our list is probably the first place you should start to compare units. If you're shooting landscape and portrait photography, you need a simple head that you can set up and lock without going back to it for very many adjustments. The best type of head for this is also usually the least expensive type, which is the ball head.

On a ball head mount, your camera sits on a small platform that sticks out from a ball living inside of a joint. It greatly resembles the human shoulder in this regard, except that you can tighten, loosen, and sometimes lock this joint into place. The downside to these heads is that they aren't suitable for tracking moving subjects, and they tend to be weaker with heavier camera loads.

The sturdiest among head designs is the pan and tilt head, which has two arms jutting out from its center, each of which controls a single axis, allowing you to tilt the camera forward and backward, as well as side to side. When you loosen the bottom portion of this head, you can pan 360˚. Like the ball head, these are not ideal for tracking subjects, but they are much stronger and their adjustments are more specific.

When you do want to track a moving subject, or if you're interested in videography, a fluid head is the head for you. These heads have one long arm sticking out the back of their bodies. With its axes loosened, you can smoothly use this arm to guide your camera along X and Y lines with subtle resistance from a fluid counterbalance system. When made to quality specifications, these tend to be the most expensive heads on the market, so if you see one for very little money, it's safe to assume that it's more trouble than it's worth.

Carbon Fiber Cometh

The tripod itself reaches back in its design to well before the advent of the camera. It found itself useful in land survey equipment, as well as the classic painter's easel.

Early cameras had extraordinarily long exposure times due to the rudimentary nature of their exposure plates, so both camera and subject had to remain as still as possible for minutes at a time. Photographers in those days set up their cameras on relatively tall wooden tripods that neither collapsed into their middles nor broke down into smaller components.

Later, collapsible wooden tripods came along, and the item saw its transition into metals after the second World War. In those booming post-war years, camera technology and the equipment built to support it accelerated at an incredible rate, with lighter and more durable steel tripods becoming the standard.

By the 1980s, however, experiments with carbon fibers led an exploding Japanese camera market to invest heavily in carbon fiber builds for their camera gear and other manufactured goods. Today, carbon fiber is the lightest, most durable tripod material available at a reasonable price, but if you don't mind the extra ounces, you could save a little more money by sticking with aluminum.



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Last updated on December 29, 2016 by Daniel Imperiale

Daniel is a writer, actor, and director living in Los Angeles, CA. He spent a large portion of his 20s roaming the country in search of new experiences, taking on odd jobs in the strangest places, studying at incredible schools, and making art with empathy and curiosity.


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