The 10 Best Active Studio Monitors
10. KRK Rokit6 RP6G3
- waveguide imaging technology
- rca inputs for universal setups
- build quality is a disappointment
|Rating||4.8 / 5.0|
9. Mackie HR824mk2 2-Way
- 1-inch titanium dome
- minimal distortion
- not a very durable choice
|Rating||4.1 / 5.0|
8. M-Audio AV42 20-Watt
- 4-inch polypropylene woofers
- custom-tuned cabinet design
- not ideal for professional use
|Rating||3.6 / 5.0|
7. JBL 308P MkII
- excellent tonal balance
- generous sweet spot
- sound suffers when pushed
|Rating||3.6 / 5.0|
6. Yamaha HS8 High Trim
- powerful bi-amp design
- xlr and trs phone jack inputs
- no built-in shielding
|Rating||3.9 / 5.0|
5. Focal Solo6 Be 6.5-Inch Powered
- composite sandwich style midwoofer
- inverted dome tweeter
- very expensive option
|Model||Solo 6 Be|
|Rating||3.8 / 5.0|
3. Neumann KH 120
- robust metal grille protects woofer
- aluminum cabinet dissipates heat
- includes a quick-start guide
|Rating||4.6 / 5.0|
2. PreSonus Eris E5 2-Way
- 80-watt ab-class amplification
- subsonic protection
- particularly articulate when loud
|Rating||4.8 / 5.0|
1. Adam Audio A7X
- slanted corners reduce reflections
- easy-to-access front panel switches
- premium x-art tweeter
|Rating||4.7 / 5.0|
The Importance Of Quality Sound In Your Studio
Having high quality sound in the home studio can mean the difference between the success and failure of any musical venture. In the early stages of personal recording, sound quality was a nightmare. Old reel-to-reel tape recorders produced only low quality recordings, and each reel could only be used once. The home studio of the time usually consisted of a reel-to-reel recorder and as many reels as the artist could afford. Even in the quietest rooms with no added noise, the quality was poor.
Artists today have no such issue. Recording is all done digitally, with little room for error. Even acoustic music is patched through pickups before reaching the recording software. Many takes of the same piece can be recorded until the ideal performance is realized. High quality recordings can be created just about anywhere now. Unfortunately for recording artists, this is a bit of a double-edged sword. While it is easier than ever to create high quality recordings, anything other than perfect sound quality is quickly disregarded by listeners. Many years ago, listeners were used to recordings with poor sound quality and would not immediately dismiss an artists just because the recording was low quality.
A successful artist must pair this recording capability with an effective way to monitor changes in the sound they are creating. The capabilities of simple computer speakers are severely limited. These speakers do not have the same playback range as active studio monitors, and the end product will suffer if this is all the artist uses for reference. To achieve the highest quality sound, the best tools need to be used from start to finish.
How The Speaker Changed The Record Label
Thanks to the creation of the modern speaker, radio waves can be harnessed and delivered to homes across America. Big band crooners of the 1930s and 40s ushered in a new era in the music industry. Singers like Frank Sinatra enjoyed popularity with adolescent girls of the day. This movement sparked new thoughts in the minds of record companies; who until this point had catered mostly to adult audiences. For the first time in history, pop trends were being steered by children rather than adults. The large record companies took control of these trends to grow their bank accounts balances.
Rather than simply being sold a record they could listen to; these adolescents were now also being sold on the experience of the pop icons themselves. From the clothing the artist wore to the way they acted and styled their hair; even the types of songs they sang were chosen to increase the star's popularity with a younger audience. This process was directly influenced by the record label supporting the artist; and conveniently benefited the large record company more than anyone else. Artists were held to these conditions by their contracts. Should a musician not like the terms of the agreement, they had to either wait out the contract or suffer the consequences of breaking it.
As the record labels are set up to make the most money from complicated recording contracts, it stands to reason that this is still the current state of the popular music industry. The main focus of the mass culture is not in seeing the live performance of the recording artists; it is in the collection of a large library of records which can be played back on demand at any time.
Evolution of the Speaker
The first amplifying speakers were not actually speakers at all; they were horns. The horns were able to amplify sound waves created by the needles of record players; though not by much. As the needles dragged across the record's surface, minute variations caused the needle to vibrate. This needle would then vibrate a metal diaphragm; pulsing air into the lower end of the horn to create sound. The sound was then channeled through the horn, resonating and reverberating along its walls to amplify the sound to an acceptable level for normal use around the house.
This limited amplification was relatively short lived. In the 1920s, the first electrodynamic speaker was introduced. Electrodynamic speakers use an electromagnet and a diaphragm to create sound. The electromagnet senses electric signals; turning them into tiny movements. A copper wire surrounding the electromagnet moves in response to the magnet. These movements are then transferred to a cone diaphragm, which vibrates accordingly, expanding the sound as it travels outward.
To invent a seemingly simple speaker, one must understand sound waves, radio, electricity, physics, and chemistry. This is why it took until the 20th century to invent an object which now seems quite common. These speakers remain the standard to this day, though with many enhancements.
One such improvement is in the invention of flat panel speakers. Looking for ways to decrease the size of a speaker box, engineers thought up the flat panel speaker. It is made of a small electromagnetic exciter which vibrates a large rectangular membrane that acts as both diaphragm and resonator. This simple style choice can make a drastic difference in size. Inventors are still having difficulty vibrating the entire flat surface area while also allowing for good frequency response, which is why they have yet to see much success in the market.