10 Best Art Books | April 2017
- shows food from a variety of regions
- includes numerous artists' recipes
- not quite a cookbook or art history book
|Brand||Caws, Mary Ann|
|Rating||4.1 / 5.0|
- has lavish double-page images
- highlights many influential paintings
- no emphasis on photography
|Rating||3.8 / 5.0|
- includes lithographic examples
- provides a scholarly review of typefaces
- isn't a true hardcover book
|Brand||De Jong, Cees W. (EDT)/|
|Rating||3.8 / 5.0|
- shows schiele developing his style
- includes essays by art historians
- helps understand his creative phase
|Brand||Egon Schiele: The Begin|
|Rating||4.0 / 5.0|
- 1200 works of art represented
- looks at the effect of technology on art
- only briefly touches on each period
|Brand||The Big Book of Art|
|Rating||4.3 / 5.0|
- combines fashion and documentary photos
- all high contrast black and white
- 200 pages all of which contain photos
|Brand||Afanador, Ruven (PHT)/|
|Rating||4.1 / 5.0|
- snapshot of contemporary illustration
- has a self-portrait by each illustrator
- includes lists of selected exhibitions
|Rating||4.2 / 5.0|
- has some very insightful text
- a rare glimpse into a forgotten history
- bursting with colorful reproductions
|Rating||4.9 / 5.0|
- has 250+ never before published images
- documents a unique period in art history
- made in a photo album style
|Brand||Emin, Tracey (ART)/ Mur|
|Rating||4.5 / 5.0|
- thumbnail bios of more than 85 artists
- has behind the scenes source photographs
- pin-up images are high quality
|Brand||Hanson, Dian/ Meisel, L|
|Rating||4.7 / 5.0|
Finding Fine Art Between the Pages
Beauty is in the eye of the beholder; thus the world has ample room for Rothko, Rembrandt, Rafael, and beyond. With billions of human beings alive on earth, the art world has ample appreciators for works from thousands of different schools of artistic expression. And with a 30,000 year history of objects that are generally considered to be of artistic merit, from the majestic painted caves at Lascaux to the mind-bending works of Damien Hirst, there is indeed plenty of material for the interested party to study and enjoy.
Trying to grasp art as a whole is a Herculean task that could (and has) consumed entire lifetimes. Developing an understanding for a few aspects of the art world, whether one studies the painters of late 19th century Europe or the development of Hellenistic statuary, to name two major examples, is a far more palatable task. However any piece of art, each individual artist, and any given movement also exists in the larger context of the arts, and having at least some wider knowledge of the influences that worked upon a given person, place, or school is imperative for proper appreciation. That is why reading an art book will usually offer more long-term value than reading about a single work or an artist's biography.
More often than not, the art book is distinct from the text book dedicated to the arts and/or art history in that its primary aim is as much to entertain as to educate. And that's a welcome distinction for most people with but a casual interest in the arts. The primary aim of most art books is not to provide an academic's understanding of art, but rather to help those of us with little grounding in the field gain access to the works therein discussed.
Learning about art should be a pleasure, not a chore, in other words. Many art books use humor or attitude to keep the reader engaged, and there is nothing wrong with embracing a book that takes a casual tone when dealing with its subject matter. Think also of an art book not necessarily as an authoritative work, but more often than not as a jumping-off point for further studies if you so find your level of interest merits such. You may not find all the information you want about any topic concerning any aspects of art in one book, but you may well find a new area of interest that will bring you untold pleasure in the years to come.
The Art Book As An Educational Tool
A proper arts education takes many years of dedicated, patient scholarship to achieve. It involves schooling, extensive reading, and ideally global travel.
A fine appreciation for art, however, requires only genuine interest and the occasional dedication of time. And even when you can't fly off to Paris for a weekend filled with museums or stop off in Washington to behold the plethora of buildings wrought in fine Neoclassical style, a great deal can be gained from digesting the material found in great art books.
The plain fact is that pieces of art seen on the pages of a book can never do real justice to the original work. The majesty and sheer scale of the Sistine Chapel's ceiling and walls must be gazed up at from below to be truly appreciated; one must stand before a canvas slashed with Pollock's paints to grasp the power of abstraction. And to realize how truly fluid a piece of solid bronze can be, one must walk circles around Rodin's twisting, oft tormented sculptures.
While seeing paintings or pictures of statues on the pages of a book is far better than never seeing a visual representation of a work of art at all, it inevitably falls short of experiencing the piece in person. Thus it is that anyone interested in acquiring deeper and fuller appreciation for and knowledge of art must choose an art book not only for the images of the works therein included, but also for the quality of the text that supports them.
In fact, were the genuinely inspired scholar of art offered the choice between a book filled with full-page, full-color reproductions of famed paintings supported only by captions and between a book rich in writing covering the history and context of a given work, artist, or movement, she would without fail choose the latter.
Look then for art books praised for their academic prowess and excellence of syntax as much for their large, colorful pictures. The knowledge you learn about art lives with you forever; whether you stand before an original masterpiece or view it on the page, eventually you will have to walk away or close the book, no matter how lovely the painting, statue, or photograph may be.
The Art Book As An Art Object
One of the main reasons people buy art books is, of course, not really to read them at all, but rather to display them as objects to be admired for their own sake. In this context, many an art book has been referred to (and not unjustly) as a coffee table book.
If you are looking for a book on the arts that will have generally universal appeal, such as much be well-placed in the lobby of a hotel or office building or in the waiting room of a medical practice, a broad survey-style of text will serve best. Consider one of the many fine books dealing with major and notable works of art that is arranged in chronological order. Not only do these books usually contain the well-known works most people with a casual interest in art will want to see anyway, but their time-based orientation helps to make digestion of an often complicated subject that much easier.
If you are interested in more specifically-focused artistic subject matter, you are fortunate to be living in a veritable golden era of niche art book publication. Books can easily be found covering topics as diverse as the artistic midcentury imagery of the pin-up girl to books focused on the history of sports photography. The former might be ideal for the reception area of an advertising agency, while the latter might help inspire high school athletes and artists alike.
Choosing the right art book for your environment, then, is as much of a well-reasoned, careful process as choosing the right painting for the space. When in doubt, choose a tome surveying art as something of a whole just as you would choose a print by Ansel Adams or a poster of an Impressionist painting; when you know your audience, choose an art book that will speak to them directly.