The 9 Best Smartphone Mics

Updated June 14, 2017 by Daniel Imperiale

9 Best Smartphone Mics
Best High-End
Best Mid-Range
Best Inexpensive
We spent 45 hours on research, videography, and editing, to review the top options for this wiki. As if your mobile device didn't do enough already, it can now be your on-the-go recording studio using one of these smartphone mics that track much better audio than the phones' built-in microphones. Given that today's smartphones can record HD video up to 4K, these additions can turn them into tiny A/V studios for DIY filmmakers. When users buy our independently chosen editorial picks, we may earn commissions to support our work. Skip to the best smartphone mic on Amazon.

9. Olympus ME-51S

By plugging into your phone's audio jack as opposed to its power or USB port, the Olympus ME-51S makes itself available to users of any mobile device. It includes an extension cord and lapel clip for use as a lavalier microphone.
  • has a good frequency response
  • handles loud volumes well
  • picks up a lot of background sounds
Brand Olympus
Model 145037
Weight 1.4 ounces
Rating 4.1 / 5.0

8. Ampridge MightyMic S

At just 1.6 ounces, the Ampridge MightyMic S is the kind of thing you can keep handy even if you don't have a recording planned, just in case you decide to use it. It has a shotgun design that reduces unwanted sound from the back and sides, so you can focus on your target.
  • included app is highly functional
  • easy for beginners to use
  • windscreen is ineffective
Brand Ampridge
Model MMS
Weight 1.6 ounces
Rating 3.9 / 5.0

7. Rode IXYL Condenser

The Rode IXYL Condenser utilizes a matched pair of 1/2-inch cardioid capsules along with a software-switchable 72Hz high-pass filter to create a specifically sensitive field recorder. It's ideal for capturing interviews and live acoustic performances.
  • full-metal casing
  • windshield included
  • proprietary app is sold separately
Brand Rode
Model IXYL
Weight 12.6 ounces
Rating 3.6 / 5.0

6. Blue Microphones Blue Raspberry

Not only does the Blue Microphones Blue Raspberry capture excellent stereo sound in a slew of directions, it also features an internal acoustic diffuser to focus in on your vocals while minimizing background sounds and a headphone jack for live monitoring.
  • comes with a lightening connector
  • shock absorbing feet
  • quarter-inch tripod mount
Brand Blue Microphones
Weight 1.6 ounces
Rating 4.1 / 5.0

5. Zoom iQ7 Mid-Side Stereo

With both a physical volume knob for real-time adjustments and a simple LED meter to warn you of clipping, the Zoom iQ7 Mid-Side Stereo helps you to keep your levels intact. It also has a built-in headphone jack for monitoring.
  • comes with a free app
  • 90- and 120-degree options
  • disconnects easily
Brand Zoom
Model iQ7
Weight 4 ounces
Rating 4.2 / 5.0

4. Apogee MiC 96k Professional

The Apogee MiC 96k Professional can connect to any Apple device through its Lightning port to become a high-quality studio tracking microphone. It's better suited for recording voice work in a tuned room than it is for field work, though.
  • 24-bit recording up to 96khz
  • powered by its connection
  • cardioid polar pattern
Brand Apogee
Model MiC 96K-LO
Weight 1.2 pounds
Rating 4.3 / 5.0

3. Saramonic SmartMixer

The Saramonic SmartMixer is a two-channel audio mixer kit that turns any smartphone into a professional rig. It features a pair of inputs, LCD level monitoring, phantom power, and an amplifier for studio sound recording anywhere.
  • includes a phone holder
  • headphone output
  • accessory shoe for mounting lights
Brand Saramonic
Model SmartMixer
Weight 1.7 pounds
Rating 4.9 / 5.0

2. Rode SmartLav+

With all the expertise that it's company gained designing some of the film industry's finest shotgun microphones, the Rode SmartLav+ provides movie-quality sound from a device that's exceedingly easy to hide on a performer's body.
  • pressure gradient acoustics
  • 20-20000hz frequency range
  • available silicone silencers
Brand Rode
Weight 1.4 ounces
Rating 4.9 / 5.0

1. Shure MV88 iOS Digital Stereo Condenser

The Shure MV88 iOS Digital Stereo Condenser has the ability to automatically adjust its equalization, compression, and limiting based on the sound environment it detects, keeping your audio clean and clear with little to no clipping.
  • certified apple lightning connection
  • records in stereo
  • rotating hinge achieves any angle
Brand Shure
Model MV88/A
Weight 2.1 ounces
Rating 4.7 / 5.0

Professional Quality Goes Mobile

If you've ever tried to track any kind of live audio with your smartphone, you know how disappointing the results often are. The sound is usually far too thin, far too roomy, and more or less unusable. With an apologetic disclaimer, you might be able to get away with it as stand-alone audio for a podcast or radio program, but paired with a video track, the quality of the entire experience will be irredeemable.

The reason the microphones on this list are so superior to the mics built into smartphones has a lot to do with the size of their diaphragms. Any microphone has a little piece inside of it that senses the vibrations in the air created by a litany of sounds. The microphone then internally translates those vibrations into an electrical signal which is then converted into a digital binary passed into a processor in the phone's sound card.

That's a lot of difficult computing being done with very small apparatuses, and it turns out, in this case at least, that size matters. Larger areas of sensitivity from a larger microphone's diaphragm, as well as more processing power devoted to the translation of the sound into and out of its digital format will result in a higher quality audio.

Essentially, these are all professional quality microphones that have acquired the wiring necessary to communicate with the software and hardware they encounter when plugged into a given smartphone. Rewire any of them to fit into a different kind of transmitter or amplifier, and you'd never know the difference between these and their professional counterparts.

The Most Versatile Options

It's more than likely, if you're here researching these smartphone mics, that you intend to couple the audio they capture with video, whether or not you use the phone itself to capture said video.

I've used smartphone lavaliere mics (aka lavs) dozens of times to track audio for films, hosting segments, interviews, and more, and they almost always get the job done. The small stereo and shotgun mics you can mount on the phones are equally excellent for capturing subjects that are close to the mic itself, but they don't do great work across a distance, since they simply aren't long enough to build a sufficient polar pattern for true shotgun use.

Then, you have the more traditional vocal-style mics on the list, which are ideal for picking up a single speaking or singing voice, but don't do much good to you if you're doing on-the-fly documentary work, for example.

All of this comes down to a simple question: what are you trying to track? More often than not, if you're doing any kind of film work where you want to use the phone to track audio only and capture the video through a professional camera or even a separate smartphone, lavs will be your best bet.

Their size makes lavs easy to hide on an actor, a host, or an interviewee, and, since they plug right into your cell phone, you can have the person wearing the mic simply put the phone in his or her pocket, and nothing will look out of the ordinary. That is, unless you're filming a period piece that takes place before cell phones existed. Then, you might need to throw in a line of dialogue about how all the characters like carrying around decks of cards or something.

The one major downside to the lavs, however, is the threat of clothing rustle. A well-hidden lav mic usually spends its recording time buried under layers of clothing, and any movement by the wearer translates into unusable sound. There are additional implements out there designed to cut down on this phenomenon, some of which work much better than others, so check those out if you want to keep things professional.

Condensing Years Of Discovery

The desire to amplify the human voice spurned on the invention of the microphone before any thought of using such a device for recording its sound surfaced. Early attempts at amplification could more easily be classified as primitive megaphones than microphones.

These were the dramatic masks worn in Greek antiquity by actors in the nation's famous amphitheaters. They had small protruding beaks that increased the vibrational resonance of an actor's voice to throw it farther out across an audience.

The old tin can and string method was the next development in the technology, first arriving 2,200 years after the Greek masks. Then, Alexander Graham Bell's telephone came along, using a diaphragm suspended in an acid solution to transmit the vibrations of the human voice across an electrified distance.

A year or so later, in 1877, David Edward Hughes had his loose-carbon microphone design stolen and patented out from under him by none other than that scoundrel Thomas Edison. A long legal battle ensued, which Edison won, and the microphone set forth on its path toward modernity when, in 1916, the first condenser microphone (the technology on which all the microphones on this list are based) finally hit the scene.

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Last updated on June 14, 2017 by Daniel Imperiale

Daniel is a writer, actor, and director living in Los Angeles, CA. He spent a large portion of his 20s roaming the country in search of new experiences, taking on odd jobs in the strangest places, studying at incredible schools, and making art with empathy and curiosity.

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